Funny Quotes for a 30 Oz Tumbler
From offscreen friendships and jarring pay inequality to the special effects and makeup tricks that brought some of the earth's favorite film characters to life, The Wizard of Oz (1939) had and then much going on behind the emerald mantle and the Technicolor gloss of an amazing fantasy earth.
In honor of the 80th anniversary of the flick, follow the yellow brick slideshow to peek behind that curtain and learn more nearly the secrets and fun facts that make the beloved moving-picture show a timeless archetype.
Margaret Hamilton Was a Fan Before the Film
As a self-proclaimed lifelong fan of Fifty. Frank Baum'southward Oz series, Margaret Hamilton was thrilled to exist considered for a role in the 1939 film adaptation. Hamilton called her agent to ask which character the producers wanted her to play, and her agent famously said, "The witch — who else?"
Hamilton, a single female parent, fought MGM for an agreed upon amount of guaranteed work time. Three days before filming began, the studio agreed to a five-week deal. In the stop, Hamilton was on gear up for three months, just many of her scenes were cut for existence also scary for audiences.
Sure, Dorothy Gale doesn't need prosthetics or aluminum makeup, but that doesn't hateful Judy Garland wasn't put through the costume department wringer. Although she was young at the time, the xvi-year-sometime Garland had to vesture a corset-like device so she looked more similar a preadolescent child.
Director Richard Thorpe suggested Garland wear a blonde wig and loads of "baby-doll" makeup (equally any preadolescent girl would…?). Luckily, that vision of the character inverse. After MGM fired Thorpe, the intermediate director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to exist herself. Smart move.
The "Skywriting" Scene Employed Some Great Movie Magic
The Wizard of Oz employs a lot of great picture show tricks, and some of the most unique were used in the skywriting scene. In it, the Wicked Witch (Margaret Hamilton) flies above the Emerald Urban center, leaving the phrase "Surrender Dorothy" in her wake in black smoke.
Using a hypodermic needle, the special effects squad spread black ink beyond the lesser of a glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in reverse and filmed the scene from below. Initially, the skywriting ended with the ominous "Or Die — W Due west Due west."
The "Snow" in the Poppy Field Was Actually Dangerous
One of the Wicked Witch'southward last-ditch efforts to impede Dorothy's quest to meet the Wonderful Wizard of Oz involves a poppy field and some magical sleep-inducing snowfall. While many like to joke that the poppies and their drowsiness are the effect of opium (a component of poppies), the scene has a much more than blatant toxic connection than that.
All that magical snow? Information technology's actually 100% industrial-course chrysotile asbestos. Even though the health risks associated with the cloth were known at the time, information technology was nevertheless Hollywood's preferred pick for fake snow. Our advice to Dorothy? Don't catch any snowflakes on your natural language.
Scarecrow's Makeup Stuck Around for Awhile
In the cease, Ray Bolger (Scarecrow) was probably grateful for Buddy Ebsen (the original Tin Man's) willingness to trade parts with him for more reasons than 1. The Tin Human being's aluminum makeup caused a huge amount of problems for Ebsen, who was replaced by Jack Haley.
Although Bolger'southward makeup feel was better than Ebsen's, he notwithstanding had some issues. The Scarecrow's makeup consisted of a rubber prosthetic, complete with a woven design that mimicked the await of burlap. After the film wrapped, the prosthetic left patterns on Bolger's face up that took more a year to fade.
Margaret Hamilton Was Burned On Set
In a burst of flames and red smoke, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, it may accept instilled more fear for Hamilton. On the first take, the fume rose from a hidden trapdoor too early.
For the second have, Hamilton stood on the trapdoor as planned, only her cape snagged on the platform when the fire flared up. Her copper-containing makeup heated up instantly, causing second- and third-degree burns on her hands and face. To make matters worse, the crew tried to remedy her burns with (an fifty-fifty more painful) acetone solvent.
The Flying Monkeys Became Falling Monkeys
The Wicked Witch'south legion of flying monkeys — or Winged Monkeys equally they're called in the source material — have certainly been a source of terror for generations. Almost as scary equally the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — thank you to the magic of piano wires.
Withal, the aerial stunt went awry when several of the piano wires snapped, sending actors plummeting a few feet to the soundstage floor. To create such a vast troupe of monkeys (and cut down on homo marionettes), filmmakers made miniature rubber monkeys to help populate the heaven.
"Over the Rainbow" Was Almost on the Cutting Room Floor
To no ane's surprise, the American Flick Institute ranked "Over the Rainbow" #1 on a list of 100 Greatest Songs in American Films. But what may surprise you lot? The (arguably) virtually iconic song of Judy Garland'southward career was near cutting from the film.
Studio execs at MGM thought the song made the Kansas scenes also long. Moreover, filmmakers were concerned that children wouldn't understand the song'due south meaning. Luckily, this unfounded concern melted like lemon drops. Unfortunately, Garland's tearful reprise of the song was left on the cutting room floor.
The Can Human Costume Didn't Allow Jack Haley to Residual Easy
Although Bert Lahr had to schlep around in a 90-pound lion costume, Jack Haley didn't have information technology easy either. From the lingering concerns near the aluminum paste-based makeup on his face and easily to the minimal flexibility of the "can" torso and arms, Haley faced some challenges.
Reportedly, his costume was then stiff that he had to lean against a board to rest properly. Many years later, player Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the same upshot with his rigid costume. It seems even fantasy and sci-fi can't help folks escape all their problems.
The Original Tin can Homo Was Rushed to the Hospital
Initially, Buddy Ebsen was cast as the Scarecrow, but traded parts with Ray Bolger. Nonetheless, Ebsen's new graphic symbol, the Tin Homo, caused him a slew of problems. Namely, the graphic symbol's silver makeup independent a harmful aluminum dust that coated Ebsen's lungs.
To brand matters worse, Ebsen had an allergic reaction, and, unable to breathe, he was rushed to the hospital. MGM recast the function with Jack Haley (and inverse up the makeup), but didn't explain why Ebsen "dropped out." Although Ebsen didn't appear in the final picture, his vocals can be heard in "We're Off to Run across the Wizard."
A Stocking & Some Miniatures Gave Us the Tornado
The tornado that strikes the Gale homestead is full of applied special furnishings that really hold upwardly. The funnel itself was actually a 35-pes long stocking fabricated of muslin. The special effects squad spun information technology effectually miniatures that resembled the farms and fields of Kansas. Against the painted backdrop, the tornado looks menacing.
The Gale house, which falls from the sky and into Oz, is just a miniature business firm that was dropped onto a sky painting. Filmmakers then reversed the footage to brand it wait like the firm was falling out of the clouds.
Hollywood Didn't Pay Upwards Then Either
Pay inequality has always been an outcome in Hollywood. For example, Adriana Caselotti, voice of the titular character in Walt Disney's Snow White and the 7 Dwarfs (1937), made $970 for her performance, though the film went on to make roughly $viii million.
According to the Los Angeles Times, Judy Garland's pay was better than Caselotti's — playing Dorothy earned her $500 a week — simply it still didn't reflect the film's success. Fifty-fifty more discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $50 per week. (Meanwhile, Terry the dog earned $125 per week as Toto. A real yikes.)
Bert Lahr'south King of beasts Costume Was Taxing
Originally, MGM thought it might cast its mascot — the actual lion used in the studio's title card — as the cowardly character. Fortunately, for the safety of the actors and the fauna, the filmmakers decided to bandage actor Bert Lahr as the anthropomorphic grapheme instead.
To brand a convincing animate being, the costume department fashioned Lahr a ninety-pound outfit made from real lion skin. Withal, the arc lights used on set made things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his character'due south nerves. Each night, two stagehands dried the costume for the next mean solar day.
The Initial Box Office Returns Were Uneven
The moving picture started shooting in October of 1938 simply didn't wrap until March of 1939, racking up an unheard of $2,777,000 in costs. That's nearly $50 million adjusted for aggrandizement. Upon its initial release, the pic only earned $3 million at the box office — about $51.viii 1000000 past today's standards.
Although that seems impressive for a Depression-era moving picture, call back that Disney made $eight one thousand thousand with Snowfall White and the Seven Dwarfs (1937). The Wizard of Oz's modest success in the U.S. barely covered product and film rights' costs — MGM paid $75,000 to the publisher for those — but success overseas fortunately bolstered the picture's returns.
The Dark Side of Oz in a Fourth dimension Before "Me Too"
Judy Garland was just xvi years erstwhile when she was cast every bit Dorothy. Insecure and lonesome, she became addicted to amphetamines and barbiturates, which were often given to immature actors to help them sleep after studios shot them upwardly with adrenaline so they could work long hours.
The spotlight — and her damaging contract with MGM — didn't help, leading to lifelong struggles with an eating disorder and alcoholism. Co-ordinate to a author for Express, "[Garland] was molested past older men, including studio chiefs [and caput Louis B. Mayer], who considered her piffling more than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy diet of cigarettes, java and chicken soup.
The Voice of Snow White Had a Cameo
A few years before The Wizard of Oz debuted, Walt Disney's characteristic-length animated film Snow White and the Seven Dwarfs (1937) became a blast-hit. Not but did the movie revolutionize the animation industry, it also reinvigorated the fantasy genre.
Disney wanted to follow up Snowfall White — so the well-nigh successful film of all time — with an adaptation of The Wizard of Oz, but MGM owned the rights. By happenstance, Adriana Caselotti, who voiced Snow White, had an uncredited role in Oz. During the Tin Man's "If I Only Had a Eye," Caselotti speaks her sole line, "Wherefore fine art thou Romeo?"
The Ruby Slippers Are Props & Treasured Artifacts
Keeping in line with the volume, Dorothy's iconic footwear was originally silver, but screenwriter Noel Langley felt the red color would really pop in glorious Technicolor. Designed by MGM's primary costume designer Gilbert Adrian, the shoes are each covered in about 2,300 sequins.
One of the remaining pairs is on view in the Smithsonian Establishment's National Museum of American History. Since the brandish is so heavily trafficked, the museum has replaced the carpet there several times. Another pair were stolen from Minnesota's Judy Garland Museum in 2005, but the FBI recovered the slippers for the establishment in 2018.
Just One Sequence Was Filmed "On Location"
The Sorcerer of Oz is your classic adventure story, and Dorothy's quest leads her from a Kansas farm to another world — complete with corn fields, poppy-filled meadows and forests. However, despite all these scenic locations, nearly all the scenes were shot on a soundstage.
Every bit was customary at the fourth dimension, immense, detailed backdrops were painted by studio artists, making it possible for filmmakers to transport audiences to far away places without filming on location. In fact, the only location footage in the film is the opening title sequence — those clouds are 100% the existent deal.
A Second Toto Was Brought In
Toto, played primarily by Terry, is one of the most beloved dogs in picture show history. Terry was famously not a huge fan of special effects and tin often be seen running out of a shot when something loud or alarming happens — like when the Can Human spouts out all of that steam.
Afterwards i of the Witch's guards accidentally stepped on her, Terry was on bedrest for two weeks. Filmmakers went through ii doubles to discover one that resembled the original canine thespian more closely.
Fun fact: Judy Garland was so addicted of Terry that she wanted to adopt the dog.
Margaret Hamilton "Mourns the Wicked" Witch
In add-on to being a huge fan of the Oz books, Margaret Hamilton also believed her character was more than only your run-of-the-factory evil villain. More than 35 years subsequently the film debuted, Hamilton, donning her Witch'due south costume to show kids it was brand-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her about the graphic symbol.
According to Hamilton, the so-called Wicked Witch relished everything she did, but she was besides a sad, solitary figure. In short, things never went well for the frustrated Witch. Oddly enough, the Broadway musical Wicked also takes this approach to the Witch's character.
The "Horse of a Different Color" Was Made Possible Thank you to a Food Production
In 1939, audiences were merely as amazed every bit Dorothy, Scarecrow, Tin Man and the Cowardly Lion when the horse in Emerald City took on a rainbow of colors. This "horse of a dissimilar color" was made possible thanks to a surprising food item…
Jell-O crystals were used to color the horses, which meant filmmakers had to move quickly — the animals were eager to lick upwardly the sweet treat. Only the colorful steed isn't the only interesting component in this fan-favorite scene. The horse-drawn carriage was once owned by President Abraham Lincoln and now resides at the Judy Garland Museum.
The Makeup Section Hired Actress Hands
From the citizens of Munchkinland and Emerald Metropolis to the Witch's flying monkeys, and so many actors had to undergo a makeup transformation in gild to requite life to this fantasy film. To go along upwards with the daily demands, MGM called upon workers from the studio mailroom and courier service to manage makeup stations.
Since most of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming assembly line. Virtually actors had to arrive before 5:00 in the morning — six days a week! — to brainstorm the intensive process.
Memorable (& Often Misquoted) Lines Fill the Film
The film is chock-full of iconic, memorable songs, and it has the peachy fortune of being responsible for some of the most quoted lines in movie history as well. In 2007, Premiere compiled a list of "The 100 Greatest Movie Lines" and placed a whopping three of the motion picture's lines on the list.
"Pay no attention to that man behind the mantle" was voted #24, while "There's no place similar home" nabbed the 11th spot. Finally, the oft misquoted "Toto, I have a feeling we're non in Kansas anymore" landed in the 62nd spot.
The Witch's Fire Employed Some Technical Wizardry (& Juice)
Conspicuously, the technical wizardry — or witchcraft — in the movie is incredible. Like the "horse of a different color" sequence, some other iconic, special furnishings-heavy scene harnessed the power of everyday household items to pull off fun tricks.
Shortly after Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the ruby slippers from the immature girl's anxiety. However, fire strikes the Witch'southward hands, repelling her. This "burn" is actually apple juice spouting from the slippers in a sped-up clip to brand it look more flame-similar.
Technicolor Required Some Ingenuity in the Props Department
Experimenting with Technicolor was part fun and part problem-solving for filmmakers. In lodge to properly capture scenes with the Technicolor photographic camera, the soundstage needed to exist lit with arc lights, which often heated the set upward to a toasty 100 degrees.
After the lights were gear up, the experts experimented with what would await best on movie, especially in colorized form. For example, the white function of Dorothy'southward dress is really pinkish — simply considering it filmed better. And the oil the Tin Homo is and then excited about? It's actually chocolate syrup.
The Wicked Witch of the East Makes More Than One Appearance
Part of the Wicked Witch of the West'southward beefiness with Dorothy is that the young girl dropped a house on her sister, the Wicked Witch of the Eastward, who was the brusk-lived owner of the cherry-red slippers. Although Margaret Hamilton already plays both the Wicked Witch of the West and her Kansas counterpart Almira Gulch, she also plays the Wicked Witch of the E — if only briefly.
During the tornado sequence, an addled Dorothy looks out her sleeping room window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the ruby slippers. The restored version of the film makes that shimmer even more noticeable.
The Picture show's Running Time Was Cut Down Several Times
The beginning cut of the film clocked in at a running fourth dimension of 120 minutes. Although that seems like zero past today's Marvel pic standards, producer Mervyn LeRoy felt it was long and unwieldy and wanted to chop off 20 minutes.
After cutting the famed "Jitterbug" number and an extended Scarecrow dance sequence, the moving picture was 112 minutes long. LeRoy held a second preview screening, and, afterwards, nixed Dorothy'southward "Over the Rainbow" reprise, an Emerald City reprise of "Ding! Dong! The Witch Is Dead," a scene where the Tin can Man becomes a human beehive (Yikes!) and a few Kansas sequences.
So Much for a "Wicked" Witch
Filmmakers accounted Margaret Hamilton'due south Wicked Witch of the Due west operation likewise frightening for audiences and cutting or trimmed many of her scenes. Merely not everyone idea her operation was terrifying — namely Judy Garland, who played the Wicked Witch's nemesis, Dorothy Gale.
Off-screen, the film'southward starring foes were actually friends. One story that emerged from the set described Garland excitedly showing off a clothes to Hamilton, declaring she was going to article of clothing it for her graduation. Unfortunately, MGM'due south Louis B. Mayer sent Garland on a press tour the twenty-four hours of her graduation. Upset, Hamilton phoned Mayer and chewed him out.
Giving Credit to Technicolor
In the opening credits, the text reads "Photographed in Technicolor," as opposed to the more than apt "Color Sequences past Technicolor." The phrasing of the credits makes it seem every bit though the entire picture show was shot in colour. Was this washed deliberately, or was information technology a pocket-size syntactical false pas?
It'due south widely believed this was a bit of a stunt done to heighten the surprise of the picture turning into total three-strip Technicolor when Dorothy arrives in Oz. Posters fabricated at the time of the film's debut made no mention of sepia tint (or "black-and-white"), adding credence to this theory.
One of History's About-Watched Films
Although The Wizard of Oz proved popular in theaters, another moving picture released the same year, also directed by Victor Fleming, actually topped the box office. (You may take heard of that little picture show — it's called Gone with the Air current.) Nonetheless, MGM'due south musical fantasy may accept more staying power than other films of the era, thanks in office to re-releases.
The film was showtime broadcast on television on Nov 3, 1956, and garnered an impressive 44 million viewers. It'southward believed that The Wizard of Oz is 1 of the x nigh-watched feature-length movies in film history, largely due to the number of almanac tv screenings, theater viewings and various format re-releases.
Source: https://www.ask.com/tvmovies/wizard-of-oz-facts?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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